© » KADIST
Hans-Peter Feldmann
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Verging on a form of fetichism, his shoe collections are a case in point and indeed, for some exhibitions, he even asked gallery employees for their shoes. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities.
© » KADIST
Hans-Peter Feldmann
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Against authorship and the commodification of art, he never gives titles or dates to his works which have infinite edition possibilities. This mise en scène of found kitchenware also exists with a rounder and flatter plain modern white porcelain teapot.
© » KADIST
Hans-Peter Feldmann
The types of objects Feldmann is interested in collecting into serial photographic grids or artist’s books are often also found in three dimensional installations. Hats and photographs are regularly part of his appropriations and arrangements. He famously made numerous trips to England in search of old photographs when he was an antique dealer, and then worked in a gift store with his wife when he left the art world in the 1980s.
© » KADIST
Agnieszka Kurant
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history. Kurant’s fictional mineral-currency is at once data visualization, a sly commentary on global markets, and a speculative narrative about the connection between technology and geology (for example ‘conflict minerals’ used in smartphones). Inspired by the way natural forces shape rocks, landscape, and planets over time, Sentimentite ’s evolving forms are shaped by dynamic social and political ruptures in the 21st century.
© » KADIST
Agnieszka Kurant
Drawing & Print (Drawing & Print)
Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film. Displayed in a custom cabinet, these imaginary drugs are materialized as physical objects, packaged in meticulously designed boxes, listing dosage and description information along with references to the fictional source. Each box is filled with placebo tablets.
© » KADIST
Oliver Laric
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.
© » KADIST
Agnieszka Kurant
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history. Kurant’s fictional mineral-currency is at once data visualization, a sly commentary on global markets, and a speculative narrative about the connection between technology and geology (for example ‘conflict minerals’ used in smartphones). Inspired by the way natural forces shape rocks, landscape, and planets over time, Sentimentite ’s evolving forms are shaped by dynamic social and political ruptures in the 21st century.
© » KADIST
Mariana Castillo Deball
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015. The sculpture, employing the technique of traditional Atzompa pottery originating from Oaxaca, Mexico, is an examination of the way in which archaeological heritage is remembered in the earthenware made by Atzompa potters today. Accompanied by the publication ‘Ixiptla Vol.
© » KADIST
Agnieszka Kurant
For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history. Kurant’s fictional mineral-currency is at once data visualization, a sly commentary on global markets, and a speculative narrative about the connection between technology and geology (for example ‘conflict minerals’ used in smartphones). Inspired by the way natural forces shape rocks, landscape, and planets over time, Sentimentite ’s evolving forms are shaped by dynamic social and political ruptures in the 21st century.
© » KADIST
Mariana Castillo Deball
Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened. The books belong to O Mundo dos Museus (The World of Museums), a collection conceived by the Brazilian designer Eugênio Hirsch in the 1970s. More than simply a catalogue of artworks, each offers the reader a promenade through a different world museum and its functioning, starting with photo reportage of the building, its urban landscape and architecture, the management and restoration of works, and visitors walking though the galleries.
© » KADIST
Mariana Castillo Deball
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object. They are playful and exaggerated representations of “kill hole pottery” — ceramic dishes in the Mimbres tradition with distinct circular holes located in the center of the pots. Although very little is known about the Mimbres culture’s specific beliefs, they are loosely understood to have terminated the object symbolically in preparation for funerary use.
© » KADIST
Jeffrey Vallance
Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel. This varied use of media has enabled the artist to bring all of the life, energy, and objects he works with into a single image.
© » KADIST
Allen Ruppersberg
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California. Taken outside Palmdale, Littlerock, Pearlblossom, Victorville, and Barstow, towns where the population does not exceed 20,000, Ruppersberg’s trip follows the outskirts of Los Angeles. As with many of his other photographic series, the artist here inserted into each view a constant element that disturbs the otherwise quiet scenes: a hand holding an open magazine.
© » KADIST
Oliver Beer
Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance. Dilapidated and empty, the ghostly presence of the car park comes to life. Beer composed the piece to resonate with this architecture, finding the frequencies that would bring the building to life, acting as a sound box and in effect another voice.
© » KADIST
Dale Harding
Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland. Mouth-blown with ochre on sandstone, these extraordinary stencilled images depict weaponry, domestic tools, and ceremonial objects that are specific to the region and that relate to Harding’s own ancestry. In response to these enduring indexes of Indigenous material culture, Harding produced a suite of cast objects using the stencilled imagery as a guide, along with objects that relate to his family history: boomerangs, spears, clubs, and whips are all part of the display.
© » KADIST
Bruno Zhu
Mr. Black, Mr. Navy, Mr. Stripes is a photographic series of opera gloves made of men’s tailored trousers that were presented in 2017 in “La Plage” in Paris, a shop window turned into an experimental art space. The personification of the objects named after characters intended to compose a fiction from the display. The project follows Zhu’s thinking on the definition of “queer”: how to express a state?
© » KADIST
Collier Schorr
In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop. Although photographed topless, Marie is depicted in slightly contorted poses that emphasize the curves of her figure while also obstructing the viewer’s gaze. Printed on high gloss paper, Marie’s portrait has the polished veneer of magazine spread, and the two portraits on display offer different vantages of the same subject.
© » KADIST
Gala Porras-Kim
Drawing & Print (Drawing & Print)
The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA). Eschewing their current musicological function, 4 mourners on a mantel presents photo-realistic depictions of said figures on top of a hypothetical collector’s fireplace. Herein, these funerary objects are displaced as curios which stare back at the viewer in signs of grief and confusion.
© » KADIST
Musquiqui Chihying
The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph. The video begins with 2017 footage of French president Emmanuel Macron announcing his commitment to the restitution of French-held African objects looted during the colonial era. Moving through the video, the artist’s voice narrates over archival images and videos, explaining how so many African artifacts came into the possession of European museums.
© » KADIST
Truong Cong Tung
Truong Cong Tung’s Journey of a Piece of Soil (2013) and its accompanying object-based installation of the same name (2014) consider the function of ritual in larger modes of collective engagement and cultural production. In examining how spirituality inflects social engagement, Truong’s contemplates the juncture at which the rational beings encounter the unexplained while also suggesting how embodied practices offer vital conduits for experiencing new modes of consciousness. The video features a man dressed in camouflage fatigues with a blue cap tilling a patch of red-clay soil amidst a green-stalk covered patch of land.
© » KADIST
Jay Chung and Takeki Maeda
Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision. The slightest details are reproduced identically with great minutiae. The facial expressions are absurd, the prim attitude makes no sense.
© » KADIST
Awol Erizku
Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color. In the image are five faces each with varying modes of representation. One of them is “Aunt Jemima” (recently renamed Pearl Milling Company), a brand that appropriated a character from a late 19th century minstrel show.
© » KADIST
Xu Tan
Drawing & Print (Drawing & Print)
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)
© » KADIST
Yee I-Lann
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors. The artwork belongs to Yee’s series Picturing Power (2013) that deals with the destabilizing impacts of neo-colonialism and globalization on Southeast Asia’s history. Yee approaches the aesthetics and politics of the ethnographic gaze with both irony and humanity, challenging the modes of seeing inherent to the British colonization of Malaysia.
© » KADIST
Musquiqui Chihying and Gregor Kasper
Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo. The guestbook in question—a thin, battered copy that Do Do, the Togolese protagonist of the film, finds in Berlin’s State Library—is filled with the signatures of colonial-era explorers. The plot follows Do Do as he seeks out Treptower Park, where the JAZZ musician Kwassi Bruce was once exhibited in a human zoo in the first German Colonial Exhibition.
© » KADIST
Jane Jin Kaisen and Guston Sondin-Kung
The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced. Gradually, their voices accumulate into a cacophony of pure sonic intensity against an extreme slow-motioned image of a woman survivor of Japan’s military sexual slavery who, in the absence of words to accurately account for her suffering, gets up and walks into the center of a war crimes tribunal court room and gestures wildly before she faints. This work by Jane Jin Kasen and Guston Sondin-Kung explores ways in which trauma is passed on from previous generations to the present through a sense of being haunted.
© » KADIST
Xu Tan
Drawing & Print (Drawing & Print)
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities.
© » KADIST
Margo Wolowiec
Drawing & Print (Drawing & Print)
Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world. In order to produce this work, Wolowiec selects a grouping of digital images from web-based sources that have a glitch, an aberration in which a short-lived technical fault results in distortions in an image’s display. Through a dye sublimination ink process, the images are printed onto strands of thread pixel by pixel, which the artist then weaves into a final work.
© » KADIST
Jes Fan
The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves. As a whole, the series consists of forms which originate from the bodies of Fan’s milieu of friends and collaborators in New York. Fan first creates a mould of a concrete anatomical feature on a specific body which captures their attention (for example: the pectorals or biceps).
© » KADIST
Mahmoud Khaled
CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation. This work is based on videos that the artist collected over the years through YouTube, of Egyptian professional bodybuilders exercising or rehearsing before posing in local and international competitions. The selection also includes videos of amateur young men from Cairo, who obsessively train and exhibit bodily transformations resulting from their admiration for those bodybuilders.
Lisa Oppenheim
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: New York, New York
Hans-Peter Feldmann
- location: Düsseldorf, Germany
- year born: 1941
- gender: male
- nationality: German
- home town: Dusseldorf, Germany
Robert Zhao Renhui
Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...
Mariana Castillo Deball
- location: Amsterdam & Berlin
- year born: 1975
- gender: female
- nationality: Mexican
- home town: Mexico City, Mexico
Sung Hwan Kim
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Xu Tan
- location: Amsterdam, Netherlands
- year born: 1966
- gender: female
- nationality: Dutch
- home town: Pekan Baru, Indonesia
Liu Yu
Liu Yu has developed a multifaceted artistic practice that takes field documentation as its point of departure...
Yee I-Lann
- location: Kuala Lumpur, Malaysia
- year born: 1971
- gender: female
- nationality: Malaysian
- home town: Sabah, Malaysia
Javid Soriano
Javid Soriano is a filmmaker interested in recording the quotidian aspects of life...
Jane Jin Kaisen and Guston Sondin-Kung
Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...
Lin Ke
Lin Ke’s video and media-based installations explore how perceptual experiences of our surrounding environments are mediated and altered by various technologies...
Margo Wolowiec
Margo Wolowiec uses her multidisciplinary practice to examine space, material versus conceptual practices, and affective responses...
Taiyo Kimura
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...
Oliver Beer
The work of Oliver Beer explores the resonances in buildings and objects, exploiting the occurrence of natural frequencies that turn buildings and objects not only into amplifiers but musical instruments...
Jay Chung and Takeki Maeda
Jay Chung and Takeki Maeda’s practice is characterized by performance, which often involves weighty unsettling humour...
Truong Cong Tung
Truong Cong Tung produces work that can be located amongst an aesthetic realm outside of reason or sense...
Musquiqui Chihying and Gregor Kasper
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Bruno Zhu
Bruno Zhu (b...
Taiki Sakpisit
Taiki Sakpisit is a filmmaker and media-based artist whose work explores depictions of violence and unease that emerged from the political upheaval in Thailand from the late 1980s to the present day...
Awol Erizku
A contemporary response to the historical motif of the still-life, Awol Erizku’s studio photography is brimming with color and symbolism...
Jes Fan
Jes Fan is a Brooklyn-based artist born in Canada and raised in Hong Kong...
Otobong Nkanga
Visual artist and performer, Otobong Nkanga’s (b...
Guan Xiao
Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another...
Cally Spooner
The work of Cally Spooner (b...
Oliver Laric
- location: Berlin, Germany
- year born: 1981
- gender: male
- nationality: Austrian
- home town: Innsbruck, Austria
Li Ming
- location: Beijing, China
- year born: 1979
- gender: male
- nationality: Chinese
- home town: Sichuan Province, China
© » ART AND CAKE
about 3 months ago (01/25/2024)
Artists Collecting Artists – Art and Cake January 25, 2024 January 25, 2024 Author Artists Collecting Artists Check out our new photo essay “Artists Collecting Artists.” As artists we are probably the most lucky collectors of all...
© » LARRY'S LIST
about 4 months ago (12/18/2023)
The dynamic young Korean Hong Gyu Shin has a voracious desire to educate himself about art...
© » HYPERALLERGIC
about 5 months ago (12/15/2023)
Artists Display 20,000 Poppies Outside NY Stock Exchange Skip to content Around 20,000 paper poppies in front of the New York Stock Exchange (photo by Patrick Nevada) As workers and tourists traversed the cobblestone streets of Lower Manhattan today, December 15, about 20,000 red paper poppies rested in front of the New York Stock Exchange, each flower commemorating the life of a Palestinian person killed by Israeli forces since October 7...
© » TRIBLIVE
about 5 months ago (12/12/2023)
Display of vintage Irwin buildings was labor of love for borough native | TribLIVE.com Norwin Star Display of vintage Irwin buildings was labor of love for borough native Joe Napsha Tuesday, Dec...
© » SOUTH CHINA MORNING POST
about 5 months ago (11/27/2023)
Floral art by Andy Warhol, Pablo Picasso, Claude Monet and other artists on display at private Deji Art Museum in Nanjing, China | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The exhibition ‘Nothing Still About Still Lifes: Three Centuries of Floral Compositions’ at Nanjing;s Deji Art Museum features more than 100 modern and contemporary artworks, including (above) “Les Amoureux au Bouquet de Fleurs” (1935-1937), by Marc Chagall...
© » LARRY'S LIST
about 7 months ago (10/05/2023)
We chatted with Jung Lee, collector of contemporary Asian art, about the pieces that have most inspired him and his exploration into new modes of art production....
© » ROYAL ACADEMY
about 7 months ago (10/05/2023)
Video: new posters on display | Blog | Royal Academy of Arts Poster Bar by José Video: new posters on display Read more Become a Friend Video: new posters on display Published 22 August 2023 Watch our team refresh our iconic Poster Bar for the first time since 2018, featuring 21 new posters from our past exhibitions...
© » LARRY'S LIST
about 17 months ago (12/01/2022)
The British collector invites us into the Mougins Museum, founded to house his extraordinary collection of antiquities...
© » LARRY'S LIST
about 19 months ago (10/10/2022)
“These all will stand the scrutiny of the canon at the highest levels,” McGuire said of his collection which spans his two New York homes....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Artists have earned more than $1.6 million on SuperRare, a blockchain-based platform for collecting one-of-a-kind digital art....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Once a person starts accumulating Art, their mind often turns to forming a Collection...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Drawing is generally a more affordable medium than painting or sculpture, and provides unique insights into artists’ processes....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Lou and Sandy Grotta’s Richard Meier-designed home in New Jersey is a jewel box of ceramics, tapestries, basketry, and other handmade gems....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
With their collection and related activities, the couple are bringing new definition to the role of the contemporary collector....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The actress and model Nichole Galicia shares how she first caught the collecting bug, and what's got her attention now....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Cheng Xindong's contemporary art collection on display in Beijing - CGTN ABOUT US Home China World World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Download Art 19:59, 21-Dec-2020 A snapshot of globalization: Cheng Xindong's contemporary art collection on display in Beijing By Ding Siyue Share Copied 02:32 Tsinghua University Art Museum is hosting an exhibition for the renowned Chinese art collector Cheng Xindong...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Ghana-based collector is known for discovering talented artists – but there is a more important mission behind her collecting instincts...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Miranda Metcalf, founder and host of “Pine | Copper | Lime” shares her professional advice and insights on how to develop and enjoy your own print collection....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Joe and Kristen Cole moved from Austin to Dallas last year, and already they’re making their mark on the city’s contemporary art scene....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The relatively new medium presents both opportunities and challenges for early adopter collectors....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
One of Asia's biggest pop stars is gaining recognition as an art collector, with works by Picasso and Basquiat among those hanging in his Taipei home....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Metallica drummer also revealed his favorite music of 2018 and "the best action movie of the year by far."...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Made to be universally appealing and accessible, Pop art offers an opportunity to collect at every level....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Spanning decades, continents, and mediums, Surrealism offers a rich collecting experience....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Judy Hochberg and Michael Mattis started collecting in the 1980s, learning as they went and helping to introduce some oversight to the industry....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Erling Kagge is best known for climbing Mount Everest and walking to the South and North Pole...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Art adviser Nick Campbell answers questions about how to build your collection, support artists, and drive business to galleries during the pandemic....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The "Dear Artist" exhibition features works from the collections of Memphians like Pitt Hyde and Elliot Perry as well as the collectors' letters to the creators of the works....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
We caught up with the Tunisian collector and finance whiz Selim Bouafsoun at his art-filled home in London....
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1970-1979
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
Jeffrey Vallance
1978Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...
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2000-2009
Xu Tan
Drawing & Print
2000(Drawing & Print) Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions...
Xu Tan
Drawing & Print
2003(Drawing & Print) Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Benoît Maire
2006The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc...
Aurélien Froment
2008dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Mariana Castillo Deball
2009Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...
Jay Chung and Takeki Maeda
2009Jay Chung and Q Takeki Maeda remake a clip from the 1970s they found on the internet, and without really changing this archive material, displace it by imitating the staging and the acting with scrupulous precision...
Mahmoud Khaled
2009CAMARADERIE is a precursor to and a blueprint for Mahmoud Khaled’s later forays into queer aesthetics and modes of visual representation...
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2010-2019
Jane Jin Kaisen and Guston Sondin-Kung
2010The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
Taiyo Kimura
2010Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
Sung Hwan Kim
Drawing & Print
2010(Drawing & Print) This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Sung Hwan Kim
Drawing & Print
2010(Drawing & Print) This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
Desiree Holman
2010Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
Oliver Beer
2011Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance...
Taiki Sakpisit
2011A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed...
Oliver Laric
2012Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...
Nandan Ghiya
2012The Chair (2012) foregrounds media-based tensions between analog and digital imaging technologies as a means of challenging the continued circulation of visual ephemera from India’s colonial past...
Robert Zhao Renhui
2012Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling...
Collier Schorr
2013In the Collage II (Marie) (2013), Shorr seems to have an ostensibly clear subject, a female subject identified in the work’s title as “Marie,” a slim but athletic woman with brown hair pictured reclining atop a brilliantly white sheet draped against a marbled tan-and-white backdrop...
Yee I-Lann
2013Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Javid Soriano
2013Set in the infamous Tenderloin district of San Francisco, Factotum of the City is a documentary film by Javid Soriano that delves into the life of a former world-class opera singer turned self-styled street hustler...
Rodney McMillian
2013In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
Elad Lassry
2013In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
Robert Zhao Renhui
2014Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr...
Robert Zhao Renhui
2014Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...
Mariana Castillo Deball
2015Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...
Margo Wolowiec
Drawing & Print
2015(Drawing & Print) Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...
Otobong Nkanga
2015Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Matthew Langan-Peck
2016Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
Didem Pekün
2016Of Dice and Men is a video diary-essay: in it, Didem Pekün’s daily life and political events are intertwined, just as they are in our individual realities...
Cally Spooner
2016The installation Self Tracking (the five stages of grief) was realized from a performance that is to be re-activated...
Gala Porras-Kim
Drawing & Print
2017(Drawing & Print) The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA)...
Seba Calfuqueo
2017Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity)...
Agnieszka Kurant
Drawing & Print
2018(Drawing & Print) Agnieszka Kurant’s Placebo VIII brings together a series of imaginary pharmaceuticals invented within the fictional narratives of literature and film...
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Awol Erizku
2018Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Lala Rašcic
2018In Greek mythology, Arachne was a talented mortal weaver who challenged Athena, goddess of wisdom and crafts, to a weaving contest; this hubris resulted in her being transformed into a spider...
Sofía Córdova
2018dawn chorus ii: el niagara en bicicleta is a work produced in Sofía Córdova native Puerto Rico and was largely shaped by the financial crisis, the islands’ histories under colonial rule and most recently, the climate-change related natural disasters which have affected the island...
D’Angelo Lovell Williams
2018On January 7th, 2020, artist D’Angelo Lovell Williams was diagnosed with HIV...
Musquiqui Chihying
2019The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph...
Musquiqui Chihying and Gregor Kasper
2019Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
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2020-2029
Jes Fan
2020The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...
Ciprian Muresan
2020Forgotten Statues , 2020 continues the artist’s reflections on power and the fragility of works of art...
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
